The Bluest Eye abd the development of the American Novel :: Bluest Eye Essays

The Bluest Eye abd the development of the American Novel   In The Bluest Eye, Morrison describes the absurd and racist exemplification by which the cites atomic number 18 judged. And through the actions taken by each character, that absurd standard becomes more defined, the conflict more poignant. In this particular work, it is the American ideal of beauty that makes Pecola resign her self-image as ugly and it is Pecolas counterbalanceion to this standard, her futile wish to become beautiful, that drives her into madness and then completely exposes the absurd and wrongful nature of this standard. And yet who created this standard? It is accede in movies, on candy wrappers. It is completely visible, yet the creator of this standard is somewhere else, never appears as a character.   It is this fate in which a character pits him/herself against that we have seen in our study of the American novel. Faulkner has used perchance the most obvious absent charact er to drive the standard, the dead mother. The family essential react to the conflict, yet the conflict is set by someone who dies early(a) in the novel. Social standards are apparent in Jamess domain of a function, and perhaps the drive is the cause of these social standards. Yet they often seem outrageous to us as readers, as there seems not to be a honorable cause driving the doctors decisions, only stubbornness. In Munros stories, we see the poor react to the standard of the rich. Munro provides an example of the rich, but the characters come across as flat, underdeveloped. This is not a criticism of Munros technique it furthers the development of each character who holds themselves against this standard. Vonnegut provides an outrageous world in which the standards that life imposes seem absurd. And who has created this absurd world in which the characters seem forever at odds with? The creator we are provided is admittedly a lie. Yet the absurdities force the r eactions from the characters.